Field notes from forty-four dyeing rounds

Field notes from forty-four dyeing rounds

Jackson Park observed Master Kim Gyeong-yeol, Seoul Intangible Cultural Heritage No. 49 Hongnyeomjang, dye silk through forty-four cycles and measured how the colour moved from pale pink to deep crimson. The largest gain in redness came between rounds 12 and 28.

Daehong, the royal red

Daehong, the royal red

In Joseon Korea, daehong could only be produced in the Sanguiwon and hongjeon workshops. Its cost and meaning made it a regulated colour — until King Gojong's yellow hwangnyongpo moved royal symbolism away from red.

Why red almost disappeared

Why red almost disappeared

The shift of royal colour to yellow, the arrival of synthetic dyes and the suppression of traditional crafts under Japanese colonial rule (1910–1945) thinned the ranks of practitioners. Today the craft survives through a handful of masters and the apprentices who learn from them.

The safflower process

Ash lye

Ash lye

Jaetmul is made from burnt soybean stalks, at pH 10.5–11.5.

Washing the florets

Washing the florets

Safflower florets are washed in cold water four to seven times to remove the yellow.

Crimson foam

Crimson foam

Schisandra vinegar (omijacho) brings the red extract to about pH 5.5–6.0, raising the crimson foam kkotgeobum.

Finishing

Finishing

Soybean flour, hide glue and dochim pounding finish the silk and set its colour.