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Indigo쪽 — fermented vat & fresh leaf

FIELD NOTE 02 · SUMMER · TWO VISITS

Red was about coaxing. Indigo turned out to be about waiting — for the vat, for the air, for the green to become blue. Two visits, a month apart, two very different ways of getting there.

I.FRI 18 JULYvillage dye house · overcast, heavy air

fig. 1 — 쪽 growing right between the houses

I expected a field. It's more like a garden that got serious — rows of 쪽 pressed up against the walls of people's homes.

just green leaves. nothing about it says blue.

fig. 2 — the vat breathing

The vat. Dark, bronze-skinned on top, and a coppery-blue foam gathering at the edge. When the foam comes up like this, the vat is alive — that's what they told me.

foam = 쪽꽃, "indigo flower"
smell: earthy, sharp, a bit like the
inside of a barn.

fig. 3 — the lid stays on

The jars live in onggi with wooden lids. Every time you open one, you're letting air in — and air is what the vat doesn't want, not yet.

look at his nails. blue that will never wash out. that's the CV.

fig. 4 — out of the jar: green, then blue

It comes out of the vat green. Then, in your hands, in the air, it turns blue. I watched it four times and it was a surprise every time.

fig. 5 — squeeze under the surface

His hands over mine. Squeeze the cloth under the surface, not above it — no splashing, no bubbles. You're working the dye in, gently.

dip → squeeze below → lift slow
→ air until blue → again.
each dip = one shade darker.

fig. 6 — rinsing on the grass

Q — how do they feed the vat to keep it alive? and what happens if it dies — can it come back?

fig. 7 — every blue from one vat

In the shop: quilted rolls, pale sky to nearly black. Same vat — only the number of dips is different. Undyed cloth rolled up underneath, waiting its turn.

And on the wall, a display of other dye plants — marigold, gardenia, amur cork tree. Little boxes of bark next to the colour they make.

a museum shows you the answer. the vat makes you find it.

fig. 8 — material, then colour

II.WED 13 AUGfresh-leaf dyeing · 생쪽 · bright, early

fig. 9 — cutting before the sun gets high

No vat this time. Just leaves, picked and used the same morning. Fresh 쪽 has to be fast — the colour starts leaving the leaf the moment you cut it.

the plants were taller than in July. up to my chest in places.

fig. 10 — walking it back, quickly

Strip the leaves off the stems — stems give nothing, they just muddy it.

pinch at the node, pull down.
bruised leaves go first.

fig. 11 — leaves only
fig. 12 — leaves on ice
fig. 13 — keep it cold

Ice, which I didn't expect at all. Cold slows everything down, so the blue stays in the leaf a little longer while you work.

fingers numb in five minutes. in august. strangest feeling.

fig. 14 — the washboard

Then rub. Hard, on the washboard, until the leaves fall apart and the water goes thick and green.

rub → squeeze the pulp → strain
silk goes in the green water.
no vat, no fermenting, no lye.

Q — why only silk? would cotton take anything at all from this?

fig. 15 — 옥색, from green water

Not the deep vat blue — this one is the colour of a clear sky. Green water, green leaves, and somehow this.

RED VS. BLUE — WHAT MY HANDS NOTICED

  1. Red is pulled out of the plant. Blue appears on its own — in the air.
  2. The vat is kept alive like an animal. Fresh leaf is gone by noon.
  3. Darker blue isn't a stronger bath — it's more patience, more dips.
  4. Both times, the most important things were said with hands, not words.

my nails are a little blue now too. hoping it stays.

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